Film Review: Bad Boys 4 Life

January has always been the dumping ground for films and relationships.  Which is why when I saw they were releasing BB3 at this time, that didn’t really instill confidence.  I’d say the same amount of confidence Mets fan of having Diaz come in from in the bullpen.  Anyway, let’s bring you up to speed.  Marcus Burnett and Mike LAAAA-RHY are back in Miami and 25 years old than when they made their initial appearance.  Will Smith barely looks any older while Martin Lawrence looks like he’s allergic to shellfish and just polished off 10 lobsters and then got stung by 10,000 bees.  Marcus is a now grandfather and fully into Roger Murtagh, “I’m getting too old for this shit” territory.  Marcus is ready to retire and Smith is not.  Things change when the son of a Mexican drug lord shoots up Mike LAAAA-RHY because Mike and other public figures sent Papi to prison.  Mike recovers and it’s vendetta time but not for Marcus, he’s in full Murtagh mode.  THE PLOT THICKENS….

So what’s different with BB3 than the others?  No Michael Bay at the helm but new directors Bilal Fallah and Adil El Arbi do not change the playbook when it comes to action choreography. Definitely see the slowed down 360 shot after a terse moment or 2 and fantastic cinematography as well.  Joey Pantaliano (Ralphie Cakes) reprises his role as Captain Howard so you know a few, “Don’t break the rules and fuck me” speeches are coming.  We also get the same ribbing back and forth between Smith and Lawrence which feels like those old, comfortable slippers that always put a smile on your face.  And what Bad Boys film would be complete without Theresa Randle as Marcus’s wife giving him an earful.  Seriously, you think she would divorce him by now or he would tell her cut the shit; he’ll never stop fucking up and the department will keep buying them new houses or cars whenever bad things happen to them.  Women?  AmIright?

What’s new?  We also get a new team working with Mike and Marcus within the Miami PD, the AMMO squad.  Vanessa Hudgens from High School Musical (never saw it, won’t bother) plays one of the squad and goshdarnit, she’s too damn cute to be shooting bad guys.  And let’s cue in the old guy jokes by the other dudes in the task force.  The creation of this task force beautifully sets ups the franchise for sequels or even a spinoff.  But don’t get cute with the spinoff idea, this group doesn’t have the charisma or humor to get people to drop $15 without Smith or Lawrence as the driving forces.

I liked Bad Boys but felt #2 dragged on.  This one was solid; top level action and had a John Wick feel to the fight scenes to it.  A couple of twists including a BIG one.  The soundtrack wasn’t as good as the first 2 but that’s because hip hop music has gone down the shitter in the last 10 years.  Example?  There are TWO Black Eyed Peas songs in here.

One more fun observation.  DJ Khaled has a scene where he plays a butcher and Mike has a few questions for him.  Mike uses a meat hammer on his hand to get some answers.  I feel Mike should’ve smashed his hand a final time while saying, “This is for your shitty music, ANOTHER ONE.” Now that kids, is a smart, well-written joke.  You better fucking acknowledge greatness when you see it.

Bad Boys For Life:

7 out of 10.  What you gonna do? Turn your brain off and enjoy shit blowing up for 2 hours.

Film Review: Star Wars Episode 9 The Rise of Skywalker SPOILER FREE

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Here we are, the “Avengers Endgame” to the series that formed the childhood of billions of kids from the 70’s and 80’s.  But here’s something to ponder on as you read this review on the toilet at work (that’s right, your companies should pay YOU to poop):  After starting my new podcast, “Gutting the Sacred Cow” (If you like my reviews and standup comedy, enjoy other comedians coming onto the show and arguing why some of the most beloved, successful, or acclaimed films stink or are overrated.  Shameless plug over.   GTSC link on iTunes )  I’ve had to re-watch the latest Star Wars films and boy, this latest trilogy thus far is failing in the rewatchability department. The Force Awakens is like a watery lobster bisque with 4 big chunks of lobster but no real substance or base.  And the Last Jedi, wow.  Was I wrong when I wrote my initial review.  Man, that film has tons of faults compounded with a bunch of hard choices that had better pay off in 9.  Do they pay off? Well, see below and of course, no spoilers.  But before you do, go google Adam Driver as a Marine.  Kevin Pollak said his face looks like a cab with the doors open.  Hilarious.

JJ Abrams back at the director’s helm after Rian Johnson sent Last Jedi to the bottom of the discount DVD bin.  BTW, hearing the opening music and seeing the opening scroll really hit me as this is (for now) the END of the Skywalker story.  Also, it’s the last time we’ll hear anything new from John Williams as this was his final film.  And this man is without question the GREATEST film composer to have ever lived.  He’s on Mt Rushmore in the George Washington slot, zero debate allowed.

Kylo Ren finds his way to the Emperor; yes, that Emperor we loved from Return of the Jedi, and is told he has to kill Rey.  Now, let’s stop here.  Do we learn how in the living fuck he survived being thrown down a reactor AND THEN EXPLODING IN THE DEATH STAR?  We do not.  Which is problem number one for me, a BIG ONE.  How are we going to skate over one of the BEST villains in film history just magically reappears on a Sith planet that reminds me of the final battle in the last Matrix film?  BTW, a hidden planet of Sith?  Remember the rule of Sith?  There are only 2 at all times; no more, no less.  So less than 10 minutes, we’re pissing all over rules and skating past premises that need REAL explanation.  BTW, there are 2 sentences that mention the recently departed, Snoke.  Just two.  I’ll let that simmer with you for a few minutes.  How about some good news? Adam Driver thankfully puts his Kylo Ren back together so we don’t see his face as much in this film.

Rey has been training and became insanely strong in the Force, almost Jedi Knight status.  The Rebels are still a small band lead by CGI’ed Princess Leia.  Apparently, they had some unused footage of Carrie Fisher from Last Jedi and why not squeeze in a few scenes with her in the final chapter.  Rey and Kylo Ren continue to FaceTime via the Force as he taunts her with the knowledge of her parents and her lineage.  Their interactions are always good as he’s continuing to enlist her to join him and become part of the Dark Side.

My next complaint is when the both find their way to the Death Star ruins where Rey seeks out a tracker to find the planet of the Sith.  They battle it out (relax, you see them doing this in trailer where they’re soaking wet) and at the end of the battle, there’s a REAL problem with the result.  Not spoiling it but I completely disagreed with it.  I even leaned over to my buddy and said, “Nope.  But we know how this will play out later.”

There are a couple of surprises and appearances that are enjoyable but this film is mostly disjointed.  Too many new characters are introduced but I wish they spent the screen time interacting more with the established ones AND giving a modicum of backstory.  And DEFNINTELY not enough of Lando Calrissian!  We dig BDW and his Colt 45 million dollar smile out of retirement to have him in 3 or 4 scenes?  No thank you, I demand more of him; especially when original characters like Han Solo and Luke are dead.  Instead, we’re dealing with Poe and Finn who we never get to REALLY embrace and form a bond with.  We learn a LITTLE more about Poe as the crew goes to a planet to get a droid to hack 3PO’s memory and Poe runs into a former smuggler/lover.  But not enough where he or Finn makes anyone’s favorite character list.  Again, this recent trilogy did a watered down version from all aspects while trying to replicate the original.  With the exception of Rey and Ren, no characters have any layers.

Lastly and without getting into gory details, I hated the ending.  INSANELY anti-climactic.  The final battle had ZERO pathos like Return of the Jedi did.  You FELT for Luke as he learned Vader wanted to turn his sister.  You FELT for Vader as he weighed his decision to either serve the Emperor or save his son.  And that lightsaber battle in Jedi was just simply amazing.  This was much shorter than I felt was deserved.  And of course, the question still burns, what happened with Rey and her parents on Jakku?  After the reveal, I again turned to my buddy after the reveal and said, “Insanely fucking lazy.”  I was floored it came down to this decision because there is/was ZERO groundwork laid for this choice.  Sorry, here’s one spoiler, the Rebels win.  Like you didn’t think that was going to happen.  The final celebration scene felt muted.  I’ve seen more emotion from a night manager at Burger King closing up at 3 AM.  No one was REALLY stoked that the Empire was finally gone.  You see TWO Ewoks celebrating at the end of this one!  The ENTIRE VILLAGE ON ENDOR was hooping and hollering.  Statues fell when the Empire did.  Ships shooting off fireworks.  People dancing in the street.  Pure jubilation.  This felt like the last day of school instead of winning a massive battle.  Tons of unanswered questions or poor answers litter this film and that just doesn’t sit well with me.  But I’ll end this review with some good news: MUCH LESS ROSE than the Last Jedi.  She’s the 2nd worst character in the Star Wars Universe next to Jar Jar.

I definitely to rewatch this to fully digest everything but in short, I was very disappointed.  The critics were wrong, the people are right.

4.5 out of 10

Current order of Star Wars films (subject to change after I rewatch TROS)

  1. Star Wars
  2. Return of the Jedi
  3. Empire Strikes Back
  4. Rogue 1
  5. Revenge of the Sith-Severely underrated, people lump it in with the first 2 sequels when it should be separated from them.
  6. Attack of the Clones- the 2nd half is solid.  Whiny Anakin first half, awful.
  7. Force Awakens
  8. Rise of Skywalker
  9. Solo
  10. Last Jedi
  11. Phantom Menace-You take out Darth Maul and the final lightsaber scene, this film is a 2/10.

3 Film reviews: Beautiful Day in the Neighborhood, Knives Out, and the Irishman

Oh, hi there you tickle monsters.  It’s been awhile since I had a film to review but let’s be honest, it’s been a collection of student films, garbage passion projects, and blatant cash grabs.  Over the Thanksgiving weekend, I saw 3 films that bear worth reviewing.  But before you read my critiques, why not download our new podcast, “Gutting the Sacred Cow.”  If you love movies and want to see other comedians try and trash well loved or successful films, you’ll love this.  We’re on iTunes, Iheartradio, Google play, Stitcher, Spreaker, and Spotify.

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Bottom line: if you hate Mr. Rogers, you’re a communist that needs to be immediately deported and then set afire in a cage while in transit to Burma.  He TRULY is the closest human to being faultless.  And if that theme music doesn’t bring an immediate tear to your eye, you’re more robotic than the T-1000 from T2 or the guy who played Oz from American Pie.  Tom Hanks, who can honestly do no wrong, plays a fantastic Fred Rogers.  If you don’t know his story, I’m not going over it now.  However, this film doesn’t make Mr. Rogers the focal point of this story.  It’s about the journalist assigned to do a small piece on him, Lloyd Vogel (Matthew Rhys).  Lloyd is dealing with his father (Chris Cooper who looks like Sebulba from Star Wars Episode 1.  Don’t believe me, google it) and Mr Rogers somehow gets Lloyd to open up about his tarnished relationship and of course, tries to help him.

If you didn’t see the outstanding documentary, “Won’t You Be My Neighbor?”, you better get off your ass and watch it.  Because you’re not going to get as much insight about Mr. Rogers in this film.  Although, I had a great laugh when Mr Rogers comes over to visit Lloyd’s ailing father and his sister’s new husband blurts out, “Are you a Navy Seal?”  That was one of the urban legends that was going around for years.  There are great Mr. Rogers moments: the opening show segment with Hanks walking in, singing the song, and flipping the shoes.  My eyes watered up and had the nostalgic smile a mile wide on my face.  You also see several show re-enactments with Hanks CGI’ed in that you may remember from the show or have seen in WYBMN.

This film is good but again, I’m not as interested in the journalist’s story as much as I am seeing Tom Hanks chew up scenery and seeing kids with disabilities have breakthroughs.  Who knows if the documentary didn’t alter the script for BDITN as they didn’t want two biographical stories in 2 years.  I wouldn’t have liked BDITN as much if there wasn’t the doc to get into the nitty gritty material.  This film is good, the doc is better.

I give it a 6.5/10

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How many “whodunits” have there been in recent memory?  Memento?  Pretty good.  Clue?  That was such a campy yet fun ride?  Too bad they’re remaking it.  LA Confidential? FANTASTIC.  Murder on the Orient Express (original and reboot SUCKED)?  So I was quite glad to see “Knives Out” invigorate the genre.  Great cast but you know what scared me?  Seeing Rian Johnson wrote and directed this.  Cause last we saw of ol RJ, he went out and gave us a C- Star Wars film in the Last Jedi.  He also did Looper which gives him some credibility back.  Was this worse than dinner theater murder mysteries?  Let’s find out.

Christopher Plummer plays Harlan Thrombey, who looks like he could’ve been one of the brothers from Trading Places.  Don’t worry, he doesn’t uses racial slurs.  Harlan is an uber successful mystery writer who after celebrating his 85th birthday, falls victim to murder.  His children and daughter in law all have had reason to off him as they’ve been cut out of his will.  But his caregiver/nurse, Marta Cabrera (Ana de Armas), suddenly finds herself as the sole benefactor of the will.  Daniel Craig is the detective hired by an unknown source to find out who did it. Zod from Superman, the mom from 6th sense, Laurie Strode, Captain America, and Sonny Crockett play the kids/in laws who are in question.

Obviously, I’m not getting into details to not spoil it but the cast perfectly hums along.  Daniel Craig was fantastic as the smarmy, know it all (most of the time detective) who really has a ball with this role.  You may figure out who did it (I did) but you’ll NEVER figure out the how or why.  I changed my logic at least 4 times and was still wrong.  And that’s why this film is amazing.  Anytime you get a layered story and can’t figure out AND buy the process/conclusion, it’s a fantastic investment of time.  Run, don’t walk, to see this film.  And then when you get out of the theater, download our latest episode of Gutting the Sacred Cow.

This film is fantastic, 8.5/10

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And now for one of the most anticipated films of 2019.  The last time we saw Scorsese, he got Margot Robbie topless several times in a film.  And we owe him a debt of gratitude for that.  But now he returns to the genre in which he created and inspired tons of knockoffs and a few winners.  The man who gave us Casino, Goodfellas, Mean Streets brings back several of the actors who shot to the stratosphere.  DeNiro, Pacino, AND he got Pesci out of retirement.  Can’t go wrong, right?  Well, let’s see.

First off, prepare yourself.  This is a 3.5 hour film.  But thankfully, you’re watching it at home now so you can pause to pee, get some food, or complain on social media about how long it is.  And for all of those who complain about the length, no one seemed to have a problem with Godfather 2 and that was 4 minutes shorter than this.  This is the story of Frank Sheeran (Robert Deniro, the man who hasn’t turned any film down since 2003), the guy who painted more houses than Dutch Boy.  Ba-dum, ching!  First things first: Scorsese CGIs all of the older actors and it’s sometimes quite amusing.  My FAVORITE part was when a “younger” DeNiro sloowwwwwly beats up a grocery store own.  I mean, it looks like he was in quicksand while giving the guy a beating.  DeNiro finds himself working for Russel Buffalino (Welcome back, Joe Pesci!),

DeNiro earns his stripes doing errands for Buffalino and eventually finds himself working with the Teamsters and Jimmy Hoffa (Al Pacino).  Shoutout to my buddy Jeff Paul who has few scenes with Pacino as a one of his crew.  Hoffa climbs to power while bringing Sheeran along for the ride.  Blah, blah, blah, mob stuff happens.  But without question, my favorite scene is Pesci explaining to DeNiro why Hoffa has to go.  It’s quite reminiscent of the Goodfellas scene is when DeNiro gets the phone call that Tommy is dead.  And there’s nothing he can do about it.

Again, people are shitting on this for the length.  Does this lag at times?  You betcha.  Could they have cut some down?  Without question.  But this is almost a mini series in a film as it tells the entire tale of Sheeran.  This is a great switcharoo of roles; a more mellowed Pesci leads the pack and should be nominated for supporting actor.  I’ll never compare this to Goodfellas because that’s as close to a perfect film as you can get.  Is this better than Casino?  No.  Departed? Not really.  And is this a film you immediately stop changing channels when you see it on?  For me, not yet.  But this is good and if you like seeing a lot of the old gang together again, this is for you.  It’s solid and enjoyable.

I give it a 7/10.

Film reviews: Rambo Last Blood and the Joker

Hey you silly smelly sailors.  It’s been awhile since a film review and since I saw the Joker last week and one of the few who saw Rambo, let’s talk movies.

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Rambo took a beating by the critics and at the box office.  Who fucking cares?  You want someone old as Bernie Sanders blowing up shit for 90 minutes.  And that’s exactly what you get.  Rambo, his niece, and her aunt live on a ranch in the middle of nowhere, Arizona.  Which is somewhere the Bang Bros should a new location to film, what a challenge to find someone walking down the road that’s not an escaped convict.  Rambo’s niece gets word that her estranged dad lives in Mexico and she heads down; despite Rambo’s pleas not to go as the dad was an awful person.  She gets kidnapped by a sex trafficking gang.  Rambo catches word and decides to write poetry to give his angst an outlet.  Just kidding, he hates poetry and general sentence formation.

He heads on down, bent on revenge and uh oh, gets outnumbered and beat up.  BTW, there are people complaining that this film makes Mexican people look bad.  Oh, I guess the SJW forgot about the cartels when they decided to find something to get fake offended on a Tuesday at 11am.  Rambo gets back to America to heal up then back down to Mexico to cast a new version of Menudo.  Just kidding, we already have a new version of Menudo.  He goes back down to start a tickle fight (bloody carnage) and let them know he’s still around.  Well this of course doesn’t strike the Mexican gang’s fancy so they head up to Rambo’s house and that’s when this becomes Home Alone on steroids.  He preps his house and tunnels with weapons, traps and bombs; like he’s going to receive a visit from his in-laws.  The last 15-20 minutes make this film completely worthwhile and at a brisk 90 minutes, it’s a enjoyable watch.  Yes, you’re going to have a few “eye roll moments” but c’mon, we’ve enjoyed those since Rambo 2.  As most of my Italian friends say, it is what it is.  You get what you expect; a lesson or 2 sprinkled in with weak dialogue and action.  And make no mistake about it, this is the last Rambo.  Is it the best sign off for Rambo, John J?  No but you’ll find enough to enjoy of this Viking funeral.

Last Blood 6/10

 
Last time we saw Batman, he was played by Ben Affleck on the tail end of one hell of a alcoholic bender.  And the last time we saw the Joker; he was a tatted up gangster with zero charisma that people rightfully rank him as the worst Joker of all time.  Even worse than Beto O’Rourke.  I mean, who’s taking that guy and his extremely punchable face seriously?  So when DC said, “let’s wash suicide squad out of everyone’s mouth,” we all said sure.  And when River Phoenix’s brother was announced the Joker, it was met with cautious optimism.  Because if a guy that played a gay cowboy can KILL the role of the Joker, we can give anybody a chance.  Anyone except the guy who played the Sherminator in American Pie.

We learn about Arthur Fleck and his tough life: mentally unstable, living with his delusional mother while he tries to make a life out of being a clown for hire as well as standup comedian.  Fleck isn’t respected by anyone; he gets beaten up by kids and manipulated at work.  You truly feel bad for him.  Fleck eventually goes all Bernie Goetz and shoots a few Wall St guys who mess with him on the subway.  Add him bombing on stage at Dangerfield’s (this is the last time you’ll see that place full in awhile) sends him right down the toilet.  And in a counterclockwise motion if you live south of the equator.  He loves watching Murray Franklin (Robert DeNiro) every night and manages to catch Murray’s eye as he plays a tape of Arthur bombing on a comedy show.

I kid you not, I tried to see if I can start getting money in on Phoenix to win as best actor.  He’s nothing short of brilliant and every bit as good as Ledger was in Dark Knight.  He digs in DEEP to this role; I loved the uncontrollable laugh he has and claims it’s because of a neurological disorder.  So many great choices pay off in this film, especially by Phoenix.  He doesn’t try to be Heath’s Joker but it’s just as creepy and boy, is the third act an absolute ball of fire.  His full transformation as the Joker cashes in every set up that director Todd Phillips puts out there.

Obviously, we don’t have any Batman but we do get a couple of Bruce Wayne scenes.  And an Alfred sighting too!  But my biggest (not really that big, nitpicking here) is that they make Thomas Wayne look like an a-hole.  Every story and film has him as a charitable doctor who tirelessly gives to Gotham.  He’s running for mayor here and quite unlikeable so that inconsistency didn’t sit as well with me on that.  It definitely warrants the R rating with some of the violent acts and good for Phillips he didn’t water this down.  And yes, there’s a nod to DK in this film, it’s a can’t miss camera shot in the end of the film.  This film definitely winks to Falling Down, Taxi Driver, and King of Comedy to name a few.  The mental health tone is so loud that Helen Keller’s ghost could hear this.  And being in standup comedy, I see this behavior all the time in the trenches.  Thankfully, some of these frustrated comics didn’t go into a theater and do their 5 minutes.  And then shoot up the place.

Todd Phillips made Road Trip and the Hangover films.  How he made a pivot to such an unknown territory of the greatest villain of all time in comic book history and made it dark with perfectly placed dabs of humor also should put firmly put him as a solid contender for best director.

Love this film and anyone who says otherwise needs a flower squirting acid in their face.

The Joker is a 9.5 out of 10.

“Once Upon a Time In Hollywood” film review. NO SPOILERS

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I’m a HUGE Quentin Tarantino fan.  He should be on the Mt Rushmore of directors: Spielberg, Nolan, Scorsese, and Tarantino.  Yes, Tarantino gets flack for biting from the spaghetti westerns.  But his films have MUCH better rewatch ability than a bunch of said westerns.  Try watching the well-renowned, “A Fistful of Dollars,” now.  That shit will put you to sleep faster than Philosophy 101 or a new list of approved gender approved pronouns.  Tarantino is one of the 10ish people that automatically gets my $15, he’s earned it through and through.  Pulp Fiction is my 2nd favorite film all time; I saw that 3 times in the theater.  That film defined a generation and was/is nothing short of brilliant. Let’s quickly go through the directorial list for shits and giggles:

Reservoir Dogs-Insanely unique, probably the reason that got me into the independent films.

Pulp Fiction-It’s a fucking CRIME that this lost to OVERRATED Forest Gump.  Shawshank Redemption, I could’ve dealt with but not that University of Alabama dropout who had sex with an AIDS monkey.  Every time this is on, John Travolta needs to send Tarantino a dozen roses and a hooker.  This also brought Samuel L Jackson square into the main event of film lexicon forever and ever.

Jackie Brown-Not a fan.  At all.  And boy, did I try.  Despite SLJ and DeNiro, this just didn’t resonate for me.

Kill Bill 1 and 2- Fun, cheeky, nostalgic, and different.  A believable heroine before Hollywood DEMANDED every female heroine film be insanely revered or you be deemed as a sexist/misogynist.

Death Proof- Enjoyable nod to 70’s cheesy action cinema and brought Kurt Russell back into the foray.  You’ll never hear me complain seeing good ol’ Jack Burton in any film and boy, I enjoy his VO narrations.

Inglorious Basterds- The American coming out party for Kristoph Waltz.  Although I didn’t dig this much as other Tarantino installments; I felt this dragged despite Pitt doing a great job as a Nazi hunter.

Django Unchained- Loved it.  Jamie Foxx was amazing and who didn’t love Waltz returning as a German bounty hunter, hell bent on eradicating southern racist garbage.  And DiCaprio playing a sadistic slave owner, fantastically cast and played.

Hateful Eight- People didn’t dig this but I have no idea why.  More Russell, more SLJ, and another favorite Tarantino vet, Tim Roth.  And it all beautifully comes together.

My ranking:

  1. Pulp Fiction
  2. Reservoir Dogs
  3. Django Unchained
  4. Hateful 8
  5. Kill Bill 1 and 2
  6. Death Proof
  7. Inglorious Basterds
  8. Jackie Brown

And now that leaves us with…

Once Upon a Time in Hollywood.

First things first.  This is NOT the story of the Manson murders.  If this a spoiler for you, sorry.  But I sure was under that impression and quickly learned that wasn’t the case.  This is a nod to Hollywood in it’s golden age of 1969.  And boy, it’s quite the journey.  Rick Dalton (Leo DiCaprio from Growing Pains) and Cliff Booth (Brad Pitt, the stoner from True Romance) are buddies.  Rick is an actor about to make the downhill march toward obscurity and Cliff is his stunt double who also chauffeurs Rick around.  Both DiCaprio and Pitt have such a great chemistry together; especially when Booth knows exactly how to get Dalton from carrying right into an alcohol-induced nosedive.  What makes Pitt’s character so satiable is his mysterious background (rumored to have killed his wife and serve in the war).  And when he gets into an on-set tussle with Bruce Lee and calling him, Kato, throughout their argument puts smiles on all audience members.

Margot Robbie (from topless glory in Wolf of Wall Street and man, find me a more attractive woman than her.  Go ahead, I’ll wait) plays Sharon Tate.  We see her and new husband, Roman Polanski (post Rosemary’s Baby, pre anal raping underage girls) live above Rick’s house.  Sharon just goes about her usual routines: Hollywood parties, getting pregnant, even seeing herself on screen by going to a theater.  I daresay that she’s under-utilized as again, the main focus is on DiCaprio and Pitt.  But we do see Manson and his crew on more than one occasion.  In fact, Booth runs into one of his crew several times trying to hitchhike rides throughout LA.  Which eventually leads Pitt to the pit of the Manson’s vipers; including a hell of a scene with Bruce Dern, another Tarantino favorite.  Speaking of the Tarantino favorites, you see all of the usual suspects: Michael Madsen, Kurt Russell, Zoe Bell.  Unfortunately, no SLJ or Steve Buscemi.  But let’s give credit where credit is due.  Lena Dunham is in this and A) isn’t annoying and more importantly, B) keeps her clothes on.

But I’ll go on a limb and say watching Dalton’s decent into possible Hollywood oblivion or purgatory is where the real joy is.  Wait till you see him break down when he forgets his lines due to getting rip roaring drunk the previous night.  Or when he has a heartfelt moment with his young co-star, Trudi (Julia Butters) where they share stories of the novels they’re currently reading.  There has been a ton of complaints saying that this is a whole lot of nothing regarding the eventual confrontation with the Manson crew and little payoff.  I disagree.  As I said, once you realize about 1/3 or 1/2 of the way through the film that this isn’t a regurgitation of the Manson murders, you’ll appreciate that Tarantino didn’t go down that road.  You can’t believe he’s bluffing by NOT giving the crowd what they want and I truly enjoyed the chance he took.  The ending is certainly unique and enjoyable with a hell of a callback.  Is this your typical, dialogue heavy Tarantino jaunt?  It is not.  Is it your typical Tarantino violent-riddled gorefest?  Not until the end.  Are you going to enjoy this?  I think so and especially if you’re not a Tarantino fan (kill yourself), it may be the film that may hook you back in because of the choices he did and didn’t take.  And I’ll go on a limb and say Pitt gets a nomination for best supporting actor.

The only knock on this film, not enough N words like I’m used to with his films.  I’M JUST KIDDING.  I enjoyed it and give it a 7 out of 10.  Where does it rank in the Tarantino pantheon?  I’m not sure yet; I need to see it again but I know it’s going above Jackie Brown, Death Proof, and Inglorious Basterds for sure.

 

 

Film Review: Spiderman Far From Home

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What a world we live in.  Fellow comedian Cristian Duran posted on Facebook: “In 2002 I would have shit my pants if you told me that one day there’d be 3 different Spider-Man 2’s.”  The first S2, amazing.  Easily one of the top 3 Spiderman films.  Second S2, awful.  So this brings us to the latest Marvel iteration.  SFFH starts out 5 years after Avengers: Endgame.  Half the world died, or as they call it, blipped.  Those who blipped aged 5 years and they give a cute explanation how this works.  Even though it’s 5 years after the fact, Peter Parker (Tom Holland), still pines away after the loss Tony Stark in EG.  Hey, if you haven’t seen the 2nd highest grossing film of all time by now, that’s on you.  What’s next, you missed Keyzer Soze is Kevin Spacey?  Darth Vader is Luke’s father?  Michael Cera gets DP’ed at the end of Superbad?  Yep, deleted scene.  Check it out if you don’t believe me.  

Anyway, Parker continues to cry for Iron Man like some people still carry the torch for Jerry Garcia.  Yuck, what an overrated band, the Grateful Dead.  And while PP misses Stark, Happy (Jon Favreau) is trying to slide into Aunt May’s (Marissa Tomei) inbox.  Hilarious interactions throughout because the last time any version of Aunt May was having guys kick game to her was during LBJ’s presidential tenure.  And Peter is trying to make magic with MJ.  Zendaya (she’s too young and unaccomplished to pull off the single name yet) is the perfect nerdy-ish neighbor that MJ was.  I liked Kirsten Dunst (her body is fantastic, her snaggle teeth are not) in the original trilogy but Zendaya and Holland have great repartee in this film.  Jake Gyllenhal enters the Marvel Universe as Mystery, well known Spidey villain who enters as a good guy fighting the Elementals, villains in the form Earth’s elements.  And it wouldn’t be a Marvel film without Samuel L Jackson mailing it in for a paycheck.  Just kidding, he was better here than he was in Captain Marvel.  Thankfully, film scribes Chris McKenna and Erik Sommers save SLJ with some great lines and pretty good jokes with Holland regarding PP’s phone etiquette.  

Parker, his buddy Ned, MJ, and his classmates go on a class trip to Europe along with new teacher with the king of mumbling, JB Smoove.  I don’t get JB Smoove.  At all.  EVER.  Of course, Parker wants to make the moves on MJ but gets stopped because surprise, bad guys (The Elementals) appear along with Mysterio who saves the day.  Nick Fury and Maria Hill show up to make sure Peter helps fight off the bad guys.  How dare they make Peter be an adult/Avenger when Peter is just trying to blow off some steam and execute his Shakespearean love plan?

Let’s fast forward to the meat.  Yes, Mysterio turns sour and the main reason was just meh for me.  Were the battle scenes great?  You bet.  There are plenty of funny moments and it’s fun to see Spidey and MJ’s romance begin to blossom.  But my biggest issue with the film was the constant love song that’s consistently being sung by Spiderman.  Want to devote the first act with Peter still mourning (again, 5 years after the fact)?  Fine.  But he STILL carries on throughout act 2.  Some people argue that Spiderman played a “Robin” role in Spiderman: Homecoming.  I can see the point but I enjoyed Homecoming more than this one.  Why?  I LOVED Keaton as Vulture more than I liked Bubble Boy as Mysterio.  I just found his logic for wanting to screw over Parker and his plan for domination to be a bit weak.  Yes, the effects are great and the final battle scene is cool.  But again, this didn’t grab me as much as Homecoming did.  This is still enjoyable and boy oh boy, that first post credits scene is a TOP 3 ALL TIME SCENE.  You heard me.  And when it happened, I literally yelled out, “Oh SHIT!”  Check this out but lower your expectations a tad.

I give this a 6.5 out of 10.

Film Review: Toy Story 4, the “worst” of the bunch

Image result for toy story 4 poster

Until Friday, I firmly put Toy Story as a top 5 trilogy.  As you sit and stare at that last statement in mild shock while trying to process if this is a valid point, I’ll make it easy for you.  Top 5 trilogies (meaning ALL THREE are nothing below fantastic) are:

  1. Star Wars
  2. Dark Knight.  Yes, some of you may not have liked DKR as much but it’s good enough.
  3. Indiana Jones (no one counts the 4th, just like no one counts Godfather 3 as a film.)
  4. Toy Story
  5. Back to the Future. BTTF3 isn’t as bad as some make it out to be and can we please get over the flying train?  He made a Delorean go back in time as well as fly, why the hell can’t he get a train?  Some of you will want to argue LOTR but that 2nd film was just 3 plus hours of WALKING.

Toy Story 1-3 are so goddamn good, I can’t even pick out an order how good they are.  Gun to my head, I pick 3, 1, 2.  3 is first only because it got such a reaction out of the audience and it has to be one of the best finales to a series.  I teared up like I was 6 years old (or even at my current age) again, watching ET and bawling when the flowers die or when ET goes home.  What about Kevin Costner having a catch with his dad in Field of Dreams?  Or when Arnold drops into the molten steel in Terminator 2.  Don’t you dare posture and say that didn’t get you.  Hell, even Rocky 2 gets me when he yells, “Yo Adrian, I did it.”

Toy Story 3 PERFECTLY wrapped everything up with people saying, “there’s no better way to close this out and I hope they don’t reopen the franchise and taint the series.  So imagine my tepid dismay as well as mild happiness when they announce that Buzz, Woody, Ham, the Potato Heads, and the rest of the gang would be returning this summer.  The preview wasn’t really grabbing me but in Pixar, not God, I trust.

We open with Bonnie playing with most of her toys, except Woody, before her first day in kindergarten.  Woody wants to make sure everything goes right (and also to maybe get some one on one play time) and shanghais a ride in her backpack.  He witnesses Bonnie getting her arts and crafts on where out of a few pipe cleaners and googly eyes, a new friend is born.  Forky is just what he sounds like and Bonnie loves him.  But Forky wants to be in the trash more than Bonnie’s toy and Woody tries to convince him that a toy is the life to lead.

Bonnie’s parents declare that it’s the time for a road trip in an RV, which sounds more like something outlawed in the Geneva convention than a vacation.  Camping, vacation for poor people.  Bonnie grabs all of her toys and away we go.  However, Forky feels there’s no better time to do his best Johnny Knoxville impression and jump out of moving RV.  Woody plays the role of Bam Margera and follows suit because he wants to get him back to Bonnie.  Buzz and the other toys run interference while Woody runs his mission.

Woody and Forky reunite with Bo Peep, who hasn’t lost her sheep but has a few new uninteresting friends tagging along with her.  They run into Gabby Gabby, voiced by Christina Hendricks, who runs the roost at a local antiques store.  GG turns out to be quite the naughty girl, as she wants Woody’s voice box as hers was faulty.  Hence why she’s never been selected by a child.  <insert easy boob joke here> But if Gabby had Christina’s cup size, even I would’ve pocketed my masculinity and bought that doll.

Some of the new characters are fun, especially Bunny and Ducky, voice by Key and Peele.     They TRULY steal the show.  Some of the new characters don’t hit the mark, like Bonnie’s originally owned toys and Giggle McDimples.  I wasn’t as crazy as Duke Kaboom, a Canadian motorcycle stunt rider, voiced by Keanu Reeves.  One of the problems with this is that the new film screwed with the perfect formula by the other films, not enough integration with the original characters.  And the biggest crime is a major lack of Buzz Lightyear.  The dynamic duo of Buzz and Woody is sorely missed and rumor has it that the reason for the reduced role of Buzz is because of Tim Allen’s politics.  IF that is the case, that’s truly sad that people can’t look beyond their opinions.  IF it’s because Tim Allen is a raging asshole, well then shame on him.

But to be perfectly frank with you, I didn’t have the same emotions with this one as I have with the previous 3.  There weren’t as many LOL moments.  I read that while Allen and Hanks broke down reading the last scene.  And I was all prepared to lose my shit again at the end of this film like I did with 3.  The problem of course, is facing a bar that’s set INSANELY high.  But although the ending does make that emotional turn, it didn’t grab me.  I was fine with it but it didn’t hit me near as hard as I expected.  Is this a good film?  Yes.  Do I hope they  they end this series to as not to tarnish its near pristine reputation?  Desperately.  You’ll like this, just not NEAR as much as the others.

I give it a 7 out of 10.  And stay for the credits, there are a few scenes worth checking out.